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Artists and collaborators
Mr Doodle, Luap, Jay Kaes, Slawn, Tris, Symon Potter, Abotz, Alex Fakso, Mervn Penrose, GG Illustrator, ZONK, Shem, Otto Sharde, All seeing RA, Wordsmith ,Darren John, Robie Walters, Chris Martin, Beatfox, Vhs.sticks, Tishky, Dave Buonaguidi, Rain Man, Stella Dore, Zionky, Crush, Hunto, Doug Haywood, Otto Schade, Zonk, XLIII, Othello de Souza, The 7th Goblin, Ben Wakely, Codefc, FKULT, Carl Stimpson, Dave Breen, Dougie Wallace, Charlie Mcfarley, Matteo, Lucie Flynn, Squarms, Shallow Lagoon, Lowe Seager, Ch2O, Kwerk, Benny Watson, Mervyn Penrose, Zionky, Saro, Xander Coy, Tim Gatenby, Rowdy, Codefc, Grazie, DLR, Codefc, Ben Wakely, Neil Massey, Aurelie, Chris Guest, Sam King, Oker, Prozak, Dougie Wallace, Komply, Martin Bunderson, Charlie Peters, London int paste up festival, Specimen Press, Lowe Seger, Inagaky, KwerkJay Kay | Surreal impressions (Current)
Batemans Row, EC1
Spray paint on brick wall
4m x 4m
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Otto Schade | Chandon looking (Current)
151 Shoreditch high St
Spray paint on wood
4m x 1.5m
Benny Watson | Mutable (Oct - Nov 24)
Dereham projects
Mixed media on wooden panels
6.4m x 3.4m
CH20 X KWERK | Forest of sound (Feb 25)
Kachette billboards, 347 Old ST, EC1(Shoreditch)
4.8m x 2.4m (Each space)
Digital print on vinyl with interactive sound
Forest of sound a CH2O’s project by Chiara Zaccagnini is a play between nature and urbanization. That reimagines the natural world through the lens of digital disruption.
This series merges generative art with sound by KWERK to create abstracted forest glitches. Fragmented by the noise of human activity.
These abstract visions are generated by scratchy rhythms, allude to the harsh intrusions of traffic and urban noise slicing through our natural environment.
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7th Goblin | Runaway Nigel (Jan-March 25)
Crooked billet space
Spray paint on bricks
3m x 4m
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Doug Haywood | Bridge strike 443 (Nov-Jan 25)
Rage Stage
Size: 2.6m x 2.6m
Ink on paper, acrylic paint, gold and silver leaf, spray paint
Haywood’s ‘Bridge Strike 443’ playfully highlights the often overlooked details, collectively made by others an adapted image, originally sourced from tagged bridge identification sign found nearby; a detail selected by Doug yet created by someone else for another purpose and subsequently added to by others anonymously. This encapsulates the discourse and interaction between authority, pedestrians, and residents that is uniquely specific to its location. Seen as anonymously collaborative abstract expressionism, the image is highlighted, developed, and displaced to be presented in a new form, further contributing to the dialogue contained within its own space.
RAGE STAGE | An anarchist space that responds to the now! #rage_stage